Ernie Krivda. Requiem for a Jazz Lady.
Capri Records, 2015. Ernie Krivda: http://www.erniekrivda.com/
Whether with his quartet or with the Fat Tuesday Big Band, Ernie Krivda is ubiquitous. He plays all around the region, from festivals to clubs to summer bandstand concerts, with an event in the area just about every week. He’s also prolific, having put out a new recording pretty much every year since the early 1990s. Try to keep up. This time out, the saxophonist works with a group of Detroit musicians with whom he’s had a long-term relationship.
The backstory of this album is fascinating. In the early 1960s, Krivda worked the jazz clubs of the region, one of a number of white musicians who played with black artists in a landscape that was racially complex. During that time, a young woman from his town of Garfield Heights was murdered, and he was recently contacted for information about her. This brought back a flood of memories for him and set him on the direction of this album, one that he calls “reflective.” I’d call the music noir, as it reminds me (as does the murder) of films from the postwar era in that black-and-white genre, but he might disagree. In any case, the style of music fits nicely in the bop milieu of the early 1960s, with elements of swing and R&B as well, forming what Krivda calls a “gumbo” that reflects all the various influences of music in the Rustbelt cities of the time.
|Ernie in the 60s|
Personnel: Ernie Krivda (tenor saxophone), Lafayette Carthon (piano), Marion Hayden (bass), Renell Gonsalves (drums).
Tracks: The Remarkable Mr. Black, I’ll Close My Eyes, Questions, Emerald, Great Lakes Gumbo, Little Face, Requiem for a Jazz Lady.