Maura Rogers and the Bellows. In Light.

Maura Rogers and the Bellows.  In Light.

Self-released, 2015.  Maura Rogers and the Bellows: http://www.maurarogers.com/

We have been remiss in reviewing this in a timely fashion, and so we are getting to it just before the band’s new EP is released next week. I guess that’s timely in its own way. This is the band’s third release (we reviewed their previous album, A Good Heart Will Break, back in 2014), and so they seem to be on schedule, even if we’re not.  

Americana, alt.folk, and other terms are thrown around to describe Maura Rogers’ music. They are all accurate as far as they go, but fuzzy words are inadequate to tell you how her songs sound and feel (she wrote them all). Musically, the band is dominated by Rogers’ strong and expressive vocals and Meredith Pangrace’s accordion--they are the most out front to this ear. But in listening behind them, one can easily find some fine guitar work by Istvan Medgyesi and others. This is particularly evident on the opening bars of most tracks (such as “Georgia” and “Blooming”), where a guitar leads in. The opening track, “Battle Cry,” is a deeply emotional song that Rogers simply slays with her anthemic vocals. The mood changes quickly with “The Chance,” a country waltz, framed as a real cry-in-your-beer weeper. As I listened to this song and the next, “Georgia,” I noticed that the lyrics are not specific with regard to gender, or even place. Georgia could refer to the state, but it could also be a person. This sort of ambiguity  continues throughout the album. Fascinating choices, and good songwriting.

“Blooming” is a heartbreaker, and one of my favorites, a song that contrasts roses in bloom with rejected love and/or fear of relationships. The atmospheric music created by the accordion and guitar in combination creates a sense of desolation. “Thank You” is a catchy, if spare, tune, and is certainly one of the more upbeat songs on the album. The most controversial song is “Damn Angels,” about a lover who leaves in the wake of religious fervor, from the perspective of the one left. Powerful stuff.

Seriously good songwriting.  The music and the lyrics work as one to transport the listener through various stages of heartache, hope, anger, and moroseness. After nine songs, I feel like I’ve been through an emotional washing machine. This is a richly rewarding album, and I urge you to check out the band’s music. They will be having an EP release party on March 19th at the Beachland Ballroom, which I suspect will be quite an evening.

Personnel:  Maura Rogers (vocals, acoustic guitar), Meredith Pangrace (accordion, vocals), Istvan Medgyesi (electric, slide, and acoustic guitar), Brent Stow (bass), Shelby Sangdahl (cello), Jeff Babinski (drums, track 5), Nick Perry (drums), Ariel Karaś (violin, tracks 6 & 7), Al Moses (acoustic guitar, tracks 3 & 7).

Tracks:  Battle Cry, The Chance, Georgia, Lion, Blooming, Good Lover, Thank You, Damn Angels, Hold On.

Jeff Wanser

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